The Missing Children of Hamelin

It is very likely the Pied Piper is based on real events

The basic story of the Pied Piper of Hamelin is that in 1284 the Medieval German town of Hamelin had a rat problem. A stranger came to town who claimed that, by playing music on his magic pipe, he could lure the rats to the Weser river and rid the town of its problem. He did so and afterwards when he came to collect his payment the town decided they weren’t going to pay the agreed amount. The piper exacted his revenge by using his pipe to lure 130 children of Hamelin away from the town where they were never heard from again. As fairy tales go it’s pretty … grim.

In the early 19th century this version of the story was recorded by the Grimm Brothers of Germany who documented various Germanic fairy tales that were part of the oral storytelling tradition. Unlike most of their fairy tales however, the curious thing about the Pied Piper is that it seems to be only partially fictional.

Not a normal fairy tale

For being a fairy tale, one of the first curious things about the Pied Piper of Hamelin is that it takes place in a real town, not a fictional location. Also, unlike the standard “a long time ago” or some other vague time frame, this story very specifically took place in 1284. Before the Grimm version, the earliest documented version of this story is in the stained glass windows of the church of Hamelin around 1300. The church was destroyed in 1660 but details of the church, its windows, and the story of the missing children were, by then, documented in several places. The Hamelin records of 1384 say that, for reasons not specified, 130 children of Hamelin left in 1284 and never returned.

What happened to the children of Hamelin?

While the stained glass windows documented the loss of Hamelin children they never mentioned a piper. The earliest documentation of a piper is the Lueneburg Manuscript of 1440-50. So for over a hundred years the story may have had no piper, just missing children.

At face value the idea that a piper used music to lure rats & children out of town is unlikely. That said there were instances of dancing mania in the Middle Ages, where groups of people would just start dancing as in some sort of mass psychogenic illness. Perhaps a musician initiated some mania that led the children away.

Another theory involves the rats and that the children may have died from bubonic plague or some other infection spread by rats. Here the piper goes from being a musician or magician, to becoming a rat catcher. This theory is unlikely though because, to start, why would a disease only kill the children the town and not the adults as well? More importantly, the rats didn’t become a part of the story until 1559. So for almost 300 years the story had already been told without rats.

Still another theory is that the children left on the failed Children’s Crusade of 1212 where children of Germany & France were said to have set out for the Holy Land to try and peacefully convert the Muslims to Christianity. The piper in this case would have been someone whose job was to recruit children to join the crusade. Then the children never returned because they were sold into slavery. But because of the differences in years, and that the Children’s Crusade is riddled with fictional details and inaccuracies, it seems unlikely like that this is the explanation for the missing children of Hamelin.

Perhaps the most likely explanation is found in German colonization efforts. By the 13th century there was a push to have Germanic people move eastward to colonize more land from Poland down through Transylvania. The term “children” could have been meant more as “people of the town” rather than actual little kids. In this sense these were adults who moved away from Hamelin to settle new lands. The piper in this case could have been some loudly dressed smooth talking recruitment agent who came to town to sell people on the idea of emigration. This colonization theory is supported by a documented trail of late 13th century Hamelin family names appearing in Eastern European areas. Similarly, German place names start to become the names of towns in these areas around the same time.

So rather than a magical story of children being lured away from town by a mysterious piper, the reality may be that some citizens of Hamelin decided to leave and move eastward. As a way to remember these expatriate friends & families the town commemorated the loss in stained glass and in a story (a story that got confused and changed over the years). If only they had commemorated why they left.

Added info: “Pied” means “multicolored”, so he was a piper wearing somewhat eccentric/eye-catching multicolored clothes.

Saddam Hussein’s Romance Novel

Zabibah and the King is a romance novel written by Saddam Hussein

When former president/dictator of Iraq Saddam Hussein wasn’t busy ruling/committing genocide, he found time for the arts. Between 2000-2003 he published four historical novels, all fiction, all written either by Saddam or written by ghostwriters under his direction. Three of the novels take place in the distant past of Iraq while 2002’s Men and the City takes place in the near past telling a fictionalized history of Saddam’s relatives fighting the Turks.

Zabibah and the King

It is 2000’s Zabibah and the King that is of particular interest. Zabibah and the King is a romance novel written by Saddam Hussein. On its surface the book is about King Arab of medieval Iraq, a beautiful commoner woman named Zabibah, and Zabibah’s abusive husband. The book is written as if an elderly woman is telling the story to a group of children, but there are large sections where Saddam is clearly airing his personal grievances that seem out of place if an elderly woman is telling them to children. As for the plot, when the King and Zabibah meet they mostly just talk about political theory, religion, and the best way to rule a country.

Eventually the abusive husband gets jealous that his wife is spending so much time with the King. He exacts his revenge by raping Zabidah and eventually teams up with the ruler of an enemy kingdom to wage war on King Arab. In the end Zabibah and her husband die in battle against one another, King Arab dies later, and when he dies he leaves the kingdom in the hands of a democratic council (which had been Zabibah’s idea) and the country prospers. Oh and also there is a whole section about bestiality between a bear and a herdsman which, again, is supposedly being told by an old woman to children.

Thinly veiled is the fact that Zabibah and the King is an allegory. The King represents Saddam himself, Zabibah is the people of Iraq, Zabibah’s rapist husband is the United States, and the enemy kingdom who help to wage war is Israel. Also the bear involved in the bestiality might represent Russian forces in some way. The book is Saddam laying-out his worldview, it’s about the United States’ 1991 invasion of Iraq during the Gulf War, and ultimately it’s a soapbox for Saddam to complain about things.

The book is not good but “remarkably” it was a bestseller in Iraq. Also Saddam used a 1998 painting titled The Awakening by Jonathon Bowser for the book cover, but never got permission from the artist.

Added info: Be sure to check out Saddam’s Goodreads author profile for more of his work and a very generous biography of him. Also there is a great Behind the Bastards episode on Saddam and his erotic literature.

Dante’s Hell

Dante’s fictional ideas of Hell are largely responsible for what most people think of as Hell.

Completed in 1320, the Divine Comedy is a long narrative poem by Italian Dante Alighieri. It is divided up into three sections:

  • Inferno / Hell
  • Purgatorio / Purgatory
  • Paradiso / Paradise

Making himself the protagonist, the Divine Comedy tells the story of Dante’s journey to the underworld (Hell) and his eventual ascent to paradise (Heaven). It’s the first installment of this story, Inferno, that most people are familiar with. Inferno follows Dante down through nine very organized levels of Hell where each level down is for more terrible sinners. In the lowest level of Hell we find the devil along with the very worst sinners (those guilty of treachery).

What is Hell?

The Bible is fairly silent in regards to describing Hell. The specific word “Hell” is nowhere in the Bible. As far as a place in the afterlife full of punishment & suffering, the Old Testament doesn’t have one. The Old Testament has Sheol but everyone goes there – the good and the bad. It isn’t until the New Testament that a place of damnation is established with a few sketchy details. When someone dies, if they were righteous their name is in the book of life and they get eternal reward in Heaven. Those who don’t make the cut get a one-way trip to suffering city. While not given a name we’re told that this place has an unceasing fiery lake, that there is gnashing of teeth, and eternal suffering. There aren’t many more details than that. Enter, Dante’s Inferno.

Botticelli painting of the Inferno

Pop culture Hell

Dante’s Inferno creatively fills in the blanks left by the scant Hellish details of the Bible. For starters, Dante puts Hell underground (which is never specified in the Bible). The idea that there are different kinds of punishments for different kinds of sins is also invented by Dante. Similarly, the idea that there are different levels of Hell, each more awful than the previous, is also his literary creation. Interestingly Buddhism has places in the afterlife for punishment that are a lot closer to Dante’s idea of Hell than anything Christianity has ever created.

In the Inferno’s ninth and lowest level of Hell Dante finds Satan, but the Bible never says Satan is in Hell. Similar to the idea of Hell, Satan isn’t created/introduced until the New Testament. Satan’s origin story is convoluted with lots of retconning, but one way or another Satan is cast out of Heaven and sent down to Earth where he must live until the second coming of Jesus. Only on Judgement Day will he be cast down into what we now call Hell as a final punishment. Until then Satan is presumably wandering the Earth, causing trouble, but he is certainly not ruling Hell as we tend to think of him. Further, Dante depicts Satan as a giant monstrous beast with 3 faces and large bat like wings. It makes for a scarier story, but none of it is in the Bible. Of course if Satan could have at one point been a beautiful fallen angel, but also have potentially been a serpent, maybe he could also turn into a monster. The Bible is silent on the potential shape-shifting super powers of Satan.

Gustave Doré etching of Satan in the Inferno

Ultimately, when we think of Satan ruling over the administration of various punishments in a stalactite & stalagmite cavernous underground Hell we are thinking of the influence of Dante’s Inferno. None of this is in the Bible. After hundreds of years and untold number of other works of fiction, what we think of as Hell is more influenced by popular culture than the Bible. Add to this that most people have never read the Bible, and it’s easy to see how Dante has done more for Hell than scripture.

Added bonus: Dante wrote the Divine Comedy in the Florentine Tuscan dialect of Italian instead of Latin (which would have been the literary language of the time). Because it was written in the language of the people, the Divine Comedy was more accessible to more people which only increased its popularity. This helped popularize the Florentine Tuscan dialect of Italian which eventually became the standard Italian language that we know today.