1950s American suburban sprawl created an eye-catching architectural movement.
The American post-war economy of the 1940s boomed. With this increasing wave of affluence many Americans joined the middle class and subsequently moved to the suburbs. If you were living in the suburbs then you had to drive everywhere and as you flew down the road in your new car business owners knew they had to stand-out to be noticed. Enter, Googie Architecture.
If you threw some rocket ships, neon lights, trapezoids, and boomerangs into a 1950s blender, you’d get Googie Architecture. Googie is mid-century modern but with a lot of flair. The name comes from a now demolished Hollywood coffee shop called Googies. In 1949 famed architect John Lautner designed the Googies shop with striated lines, odd angles, and in big neon letters “GOOGIES” with eyes in the O’s. Soon other businesses created their own energetic designs, and from the late 1940s through the 1960s it was an architectural arms race for customers’ attention & dollars.
The Theme Building at Los Angeles International Airport
Today many Googie buildings are gone, replaced as design trends have changed. The Googie style McDonalds restaurants of the ‘50s with giant golden arches & cantilevered roofs, were replaced by the dull rectangular beige shingle-roofed McDonalds of the ‘70s (which were also replaced).
Still, some excellent Googie buildings live on. The Seattle Space Needle, the Theme Building at LAX, the “Welcome to Fabulous Las Vegas Nevada” sign, and more still stand as testaments to a mid-century space-age era where function followed form.
An added bonus: Wildwood, New Jersey is full of Googie architecture, but there it’s referred to as Doo-Wop architecture. Also with the return of American soldiers from the Pacific, 1950s America produced another kitschy architectural style known as Tiki which celebrated an exaggerated/fanciful version of South Seas Polynesian culture.
In Wildwood, NJ, Googie is called Doo-Wop architecture
Lobsters are not immortal, but are still pretty special
To point out that lobsters aren’t immortal may seem unnecessary unless you’ve previously seen internet buzz stories that lobsters might be able to live forever. Different species of lobsters have different lifespans but male European lobsters typically live around 31 years and females live around 54 years. This is far from forever. Aside from being killed by fishing, how do lobsters die?
One of the remarkable things about lobsters is that, unlike humans and most other animals, lobsters continue to get bigger as they get older. Humans get to an adult size and stop getting taller, but for lobsters there is no upper limit on how large they can grow to be. Another remarkable thing about lobsters is that they don’t show many signs of aging like we do. They don’t get weak, or slow down, or stop reproducing as they get older. Part of this longevity is how their cells divide. Unlike humans, lobsters continue to produce an enzyme called telomerase which helps repair damaged chromosomes during cell division. Having undamaged chromosomes allows lobsters to avoid the effects of old age and to keep living normal lives … until they don’t.
Moulting
Lobsters are invertebrates with exoskeletons. In order for a lobster to get larger as it ages it has to shed its current exoskeleton and grow a larger new one. It basically runs out of room in its shell and needs to start a new roomier one. Therein lies the problem. While there may be no physical upper limit as to how large a lobster can get, every moulting takes more energy than the time before and eventually a lobster just doesn’t have the energy to shed its exoskeleton. 10-15% of lobsters die during the moulting process because they run out of energy. For those older lobsters who just stop moulting, they begin to accumulate damage to their shells and eventually die.
An added bonus: Another question the internet seems to ask is if lobsters feel pain. Yes they do, and being boiled alive is not enjoyable for lobsters (it’s illegal to boil a lobster alive in New Zealand, Switzerland, and parts of Italy).
To end on a high note, while most lobsters are typically dark bluish greens and greenish browns, genetic mutations can produce some really spectacular looking lobsters. Similar to most animals, albinos are very rare (1 in 100 million). Unlike most other animals though, lobsters have another extremely rare coloration (1 in 100 million) where the lobster is pastel blues & subtle pinks called “cotton candy”.
Lightning bugs glow for a variety of reasons through a chemical reaction
Lightning bugs, fireflies, glowworms, or whatever else you may call them based on where you live, are beetles (not bugs) known for their summertime bioluminescent light shows. There is a great deal of diversity among lightning bug species. Most are nocturnal (but not all), most can create bioluminescent light (but not all). In some species both the males & females can glow (but in others only one or the other can glow). They also produce different colors (light green, yellow green, red), depending on the species.
Light show
Lightning bugs have a special organ to produce light, which happens when luciferin (a chemical compound) and luciferase (an enzyme) mix. Both luciferin & luciferase are named after Lucifer, which is the Latin name for the planet Venus meaning “light bringer”, because Venus can appear just before dawn in the night sky. Only later did Lucifer also come to mean Satan.
Why lightning bugs glow varies by species as well as age. In larvae they can glow as a warning to predators telling them “I don’t taste good, don’t eat me.” In adults it’s primarily for mating purposes. Adult males puts on a light show to attract females. Females reciprocate with a glow of their own.
It’s worth noting that the females of the Photuris genus of lightning bugs are known as the “femme fatale lightning bugs” because they imitate the light pattern of other species to attract & then eat the males. Of this genus, the species Photuris pensylvanica is the state insect of Pennsylvania.
What we call “Celtic” is a bit of a misnomer that misses the bigger picture
People use the term “Celtic” to generally describe traditional Irish (as well as Scottish and Welsh) types of art, literature, music, etc. Celtic crosses, Celtic dance, Celtic jewelry, Celtic tattoos even, all have a certain “look” we call Celtic, but it didn’t start out that way.
What we call “Celtic” is largely because of the Celtic Revival movements of the 19th & 20th centuries. This term constitutes a series of narrowly selected cultural elements from a limited range of time in the British Isles. While this generated renewed interest in these particular traditional cultures, the Celtic Revival movements also oversimplified (and flat-out got wrong) other elements of Celtic culture.
Celtic
The Celtic Revival focused on the Celtic cultures found in the British Isles, but the Celts were a lot bigger than that. The Celts were a mix of tribal peoples who originated in central Europe (more or less around Austria) a few thousand years ago. Pinning down exactly where the Celts came from and when they came into being, is debatable.
Eventually the Celts worked their way westward claiming land across Europe and around the 6th century BCE began migrating up into the British Isles. In the 1st century BCE the Romans expanded their empire and killed off many of the Celts in mainland Europe in the process. As a result, the survival of the Celtic culture was primarily in the British Isles but also in a few small pockets of territory along coastal Western Europe.
The Celts had their own language which evolved over the centuries depending on where in Europe they were. Eventually Celtic got split into three categories:
Continental: which created a few now extinct languages
Britonic: which created a few extinct languages as well as Welsh, Cornish, and Breton.
Gaelic
Gaelic
In Ireland, Scotland, and the Isle of Man the Celts became the Gaels who developed their own language of Gaelic. Gaelic then became the basis of three languages:
Manx: the (mostly extinct) language of the Isle of Man
Scottish Gaelic: spoken in the highlands & the Hebrides of Scotland, it is also called Scottish (which is different though than Scots, which is a different Scottish language that is Germanic based)
Irish Gaelic
Irish
The Gaels who made Ireland their home developed their own culture and their own Gaelic language of Irish Gaelic, also just called Irish. Today Irish is one of two official languages of the Republic of Ireland (the other being English). Because of early Irish Gaels leaving Ireland for Scotland and the Isle of Man, Irish Gaelic was the basis of what became Scottish Gaelic and Manx.
Today most people in Ireland speak English as their primary language. Most media, politics, and business is in English. That said, according to the 2016 Irish census 39.8% of the country (1.7 million people) said they could speak Irish. But of those Irish speakers only around 73,000 people (around 1.7% of the population) speak Irish as their primary language. To help the language survive & grow the Irish government has programs & plans in place such as Irish being a mandatory subject in school.
So while “Celtic” tends to mean all things Irish in pop culture, the true roots of Celtic culture are much older and much more diverse. While large parts of Irish culture (including the language) are originally Celtic, not all things Celtic are Irish.
Also: Celtic is pronounced with a hard “k” sound as “keltic”, unless you are referring to the Boston basketball team or the Glasgow football club which use a soft “s” sound as “seltic”.
Cleopatra was the last in a line of Greek rulers of Egypt
Cleopatra (aka, Pharaoh Cleopatra VII Philopator) was the final ruler of Egypt before the kingdom fell to the Roman Empire. During her rule she commissioned portraits of herself in the traditional Egyptian style and she could speak the Egyptian language (something that her family predecessors never bothered to do). All of this would make it seem like Cleopatra was Egyptian, except she was Greek.
Cleopatra was the last ruler of the Ptolemaic dynasty, a 275 year rule that originated in Greece. The founder of this family dynasty was her ancestor Ptolemy I Soter who was one of Alexander the Great’s most senior generals. When Alexander died in 323 BCE he left a kingdom that stretched across the ancient world from Egypt to India and it had to be managed. After a series of deals & wars Ptolemy gained control of the Egyptian portion of the kingdom and declared himself pharaoh. Thus began the Ptolemaic dynasty.
Under this dynastic rule, native Egyptians were generally held to the lower classes while Greeks held the political and economic power. The Greek descendants of Ptolemy continued to rule over Egypt until Cleopatra’s defeat by Julius Caesar’s grandnephew Octavian in 30 BCE.
It’s been called the most famous chord in rock ’n roll. It’s the jangly opening chord that starts the Beatles 1964 hit song A Hard Day’s Night which also starts the album & the movie of the same name. This one sound is actually multiple instruments playing different notes simultaneously. For years it has been the subject of debate trying to solve exactly what instruments and chords are being played.
The jangly opening of 1964’s A Hard Day’s Night is one of the most famous opening chords in music.
One of the reasons it is so hard to solve this mystery lies in the concept of polyphonic music. In polyphonic music different instruments or voices are playing different melodies that together create a larger whole. European polyphonic music originated in the early Middle Ages but became much more complex by the 16th century and onward (as heard in the organ fugues of J.S. Bach). When you line up the rows of sounds being played, Renaissance era polyphonic music paid attention to the vertical sounds, the harmonies and chords, that could happen when the different rows of music would momentarily come together a key points. This brings us back to the opening chord of A Hard Day’s Night.
The opening chord is made up of five instruments sounding simultaneously. When you line up those five instruments, together they produce a sound that no single instrument is playing on its own. This is why it has been so hard to solve exactly what was being played – you have to separate out five different instruments that are sounding as one big chord.
A lot more has been written on this chord, but you can listen to Randy Bachman (of The Guess Who and Bachman-Turner Overdrive) recount his experience of getting to visit the Abbey Road Studio and listen to the opening chord one track at a time to break it down.
A Closing chord
From the most famous opening chord, to one of the most famous closing chords. The final chord in A Day In The Life ends both the song and the 1967 album Sgt. Pepper’s Lonely Hearts Club Band. Like the opening chord of A Hard Day’s Night, much has been written about the closing cord of A Day In The Life. The song was written by Lennon & McCartney as usual, but their contributions remained fairly separate in the song.
The opening portion of the song was by John Lennon which then transitions to the Paul McCartney portion following a chaotic swelling of the orchestra (which will be used again). The song transitions back to Lennon using a modified melody based on Hey Joe. Following the second Lennon portion the chaotic swelling orchestra is used again to build tension and dissonance. The orchestra swells higher and higher, with seemingly no end in sight.
The final explosion of sound at the end of A Day In The Life marks both the end of the song and, for some, the end of the Beatles’ most prolific period of creativity.
Frank Lloyd Wright used a concept he called “compression & release” in his architecture. He would compress you into a small space and then, turn a corner, you are released into a spacious open room. His grand open rooms are that much more impressive after you have just been compressed in a small space. He would build tension and then release it in a big payoff. In a similar way, the Beatles architected the end of A Day In The Life.
The chaotic climbing swirling orchestra increasingly builds tension for the listener until suddenly a pause and then an explosion of a thunderous monophonic harmonious final chord. This final chord is actually produced by three pianos and a harmonium all playing an E-major chord simultaneously. It rings out for over 40 seconds by a slow increase in the volume in the studio.
The Alpha and the Omega
It’s said that upon hearing an early version of A Day In The Life, an already frayed Brian Wilson was left in shambles realizing the the song’s greatness. Jonathan Gould, author of Can’t Buy Me Love: The Beatles, Britain, and America, said the closing chord was “… a forty-second meditation on finality that leaves each member of the audience listening with a new kind of attention and awareness to the sound of nothing at all”
Bringing both chords together, British music critic Ian MacDonald said that the opening chord of A Hard Day’s Night and the closing chord of A Day In The Life were “… opening and closing the group’s middle period of peak creativity.”
An added bonus: Jeff Beck’s fantastic all-instrumental cover of A Day In The Life.
With other Yardbirds present, Jeff Beck demonstrates his virtuosity by playing an instrumental version of A Day In The Life.
The heroes and villains in westerns had reliable looks
In old black & white westerns of the 1920s-40s, the heroes and the outlaws generally followed pretty standard looks. Our heroes would be in white hats, our villains in black hats. This is largely because of Western culture’s semiotic associations that the color white represents good while the color black represents evil. Also, white & black standout more in the colorless mediums of early black & white movies and TV.
The show Westworld carried this forward when visitors to the park chose which color hat they wanted, which informed their experience in the park of being a good guy or bad guy. This distinction of white hat or black hat has become a cultural metaphor more broadly. In the hacking community white hat hackers hack ethically in order to find security flaws and work with companies to improve their defenses, while black hats hack to steal information.
Beyond just how they look, some westerns also had the heroes and villains move in certain directions during pivotal scenes. Because most people are right handed, heroes would walk from left to right across the screen with their gun hand visible to the viewer, keeping their intentions known at all times. Villains would approach from right to left, with their gun hand hidden from the viewer, as if hiding their intentions from the audience.
Our association of the color black with villainy extends beyond tv & movies. A study of 25 seasons of NHL hockey found that players wearing black were penalized more frequently than players in lighter colors. Whether the players in black really were more villainous and committed more penalties or that the referees were biased by black clothes, is unclear.
Exceptions to the rule
There are two notable exceptions to this rule. The first is the Western hero character of Hopalong Cassidy who, in TV & movies, wore all black.
The second exception of course is the Man In Black, Johnny Cash. He sang about his trademark look in the song Man in Black, where he explains that he wears black as a visible symbol of his solidarity with the marginalized people who our society has ignored & abandoned.
Knowing when to step off the treadmill and be happy
Hedonism is about finding pleasure and avoiding suffering. It ranges from the wild to the mild, but essentially it is a way of thinking where we want to be happy and should seek out ways of making ourselves happy.
The hedonic treadmill (also called hedonic adaptation) is an idea where each of us has a default level of happiness, and that our happiness will return to this default level despite life changes. If we make more money and start living a fancier lifestyle, what might make us a bit happier at first, soon becomes the new normal and we return to our default happiness level. We get more, we get used to it, and then it takes even more to make us (temporarily) happier again. It’s an arms race where it can constantly take more to feel happier and it can go on forever. Whatever the change, we tend to get used to the new speed of the treadmill.
The good news is that it also works the other way around. If we lose a job or some catastrophic accident befalls us, we can adapt to that as well and (over time) return to our default happiness level. In his TED talk on the science of happiness, Dan Gilbert discusses a study of lottery winners and people recently paralyzed, and that after a year both groups had returned to their pre-incident level of happiness. The treadmill can speed up or slow down but your happiness level will adapt.
Epicurus
Epicurus was a 4th century BCE Greek philosopher who created a school of philosophical thought, known today as Epicureanism. While the word “epicure” means someone with fine taste in food & alcohol, Epicureanism is a much deeper collection of teachings that have little to do with food. Epicurus was a hedonist, in that he felt happiness was good and pain was evil, however he taught that we should enjoy the simple pleasures of life. Happiness can be achieved through friendship and living a simple life. Perhaps it’s best to know when to step off the hedonic treadmill and appreciate what you have rather than running faster for more.
During his reign as the head of the Medellín Cartel drug empire, Pablo Escobar’s net worth was in the tens of billions of dollars. As such, Escobar could & did purchase a variety of extravagant items. He also spread the money around the local community. The venn diagram of these types of spending overlap with his personal zoo.
In the 1980s Pablo Escobar built a zoo for himself at his countryside estate Hacienda Napoles. He allowed schoolchildren to see the animals on class trips. After Escobar was killed, and Hacienda Napoles was confiscated by the government, most of the animals were dispersed to other (actual) zoos. All of the animals found new homes except 4 hippos which continued to thrive and today have fruitfully multiplied to over 80 hippos. These wild Colombian hippos are becoming a real problem in the region because they aren’t easily contained to just one area, they eat and poop in large quantities, they don’t have many predators, and any solution to the problem (aside from killing them, which the general public doesn’t want) costs money that the government doesn’t want to spend.
When a solution intended to help one group helps multiple groups.
Curb cuts go by different names, but around the world they are the small inclined ramps in the sidewalk that provide easy access to the street. Without curb cuts, people in wheelchairs have to either rely on strangers to help lift them up/down between the sidewalk & the street, or they have to wheel along until they find a driveway (which could mean traveling in the street with moving cars). For some, the simple act of crossing the street can be fraught with difficulties.
The first program to install curb cuts was in Kalamazoo, Michigan in the 1940s. Jack Fisher was an entrepreneur, a disabled WWII veteran, and a Harvard educated lawyer who worked to get hundreds of fellow disabled veterans access to medical & financial assistance. It was because of his time with his clients that, in 1945, he worked with the city to get curb cuts and rails installed around the downtown, which gave a wide variety of people easier access to the businesses of Kalamazoo. The intention of the curb cuts was to enable the disabled (veteran or otherwise), but the program had unintended benefits.
The Curb Cut Effect
The curb cut effect is when something intended to help one group ends up helping multiple groups. The curb cuts were designed for the physically disabled in Kalamazoo but turned out to also benefit the elderly, they help delivery people rolling shipments to and from trucks, people pushing babies in strollers, runners, people dragging suitcases, etc.
We can see the curb cut effect again with television closed captioning. What was designed to assist the hearing impaired unintentionally benefited others. Now viewers in loud spaces can read what’s being said on tv, viewers who are new to a language can follow along more easily, shows & movies with strong accents are easier to understand, etc.
The curb cut effect can be found all over. The flexible straw was designed by Joseph Friedman to help his daughter drink from a glass, but now they also help people with mobility restrictions. Gender neutral bathrooms may be for the safety & comfort of trans & non-binary users, but they also shorten the wait time for women while also providing men with more baby changing stations than men’s rooms usually do. Optical character recognition (OCR) was designed to digitize text and help the visually impaired read books, but now the technology also allows everyone’s phones to look at text in other languages and translate it on the fly.
A rising tide lifts all ships
The curb cut effect shows that helping one group can spill over into helping others. If nothing else it is good to help others get fair access to the things most people already have. With the curb cut effect, an investment to help one group can reap a greater return on investment.
Despite this, intentionally spending resources to help just one group is often resisted by society — it can be seen as playing favorites, or creating dependencies on government handouts, and/or that helping just one group is to act at the exclusion of helping others. Most of this opposition comes from political conservatives who tend to have less interest in fairness or helping minorities. American conservatives are more likely to think of financial assistance intended to help the disadvantaged as creating a “welfare state”, despite (paradoxically) that they themselves are the number one recipient of government handouts. What the curb cut effect demonstrates is that, if helping others isn’t reason enough for charity & goodwill, at least you might also be helped in the process.
