Rock Columns

As lava/magma cools & contracts it can form polygon stone columns.

Columnar jointing is a rock formation where fractures (joints) occur in cooling volcanic rock. As the lava/magma cools from the outside inward it shrinks towards center points. This shrinking then continues from the top down forming columns of rock. These stone columns are frequently hexagonal with six sides (a shape very common in nature) but other numbers of sides occur as well.

These rock formations can be straight vertical columns (the Giant’s Causeway, Devil’s Tower, Svartifoss, etc.) but can also form with sideways irregularities due to how the molten rock moved and cooled (such as Alcantara Gorge where the lava cooled diagonally).

Devil's Tower
Devil’s Tower in Wyoming features the tallest columns in the world. On the right is a climber ascending the Tower, giving scale to the enormity of the columns.

Rock Folktales

Because they look carved and intentionally organized they don’t seem natural. Cultures around the world have come up with a variety of explanations for these rock formations. Devil’s Tower in Wyoming is a striking example of columnar jointing which features the tallest columns in the world. Its name varies by different Native American groups but it tends to be versions of “Bear’s Home”. According to tradition, as children were fleeing a great bear (or bears) the animal’s claws dragged down the rock face, carving the columns we see today.

the Giant's Causeway
The Giant’s Causeway in Northern Ireland, created by Irish giant Fionn mac Cumhaill, features thousands of columns. It’s also featured on the album cover of Led Zeppelin’s 1973 album Houses of the Holy.

The Giant’s Causeway in Northern Ireland is perhaps the most famous example of columnar jointing. As the legend goes the causeway was formed by Irish giant (or just regular sized superhero) Fionn mac Cumhaill (Finn MacCool). He built a series of stepping stones to connect Ireland to Scotland. Longer story short, the Scottish giant Benandonner smashed the causeway during his retreat from Ireland back to Scotland. Today the remnants of this “causeway” are the rocks at the Giant’s Causeway and a similar rock formation on the Isle of Staffa (the most famous part of Staffa is Fingal’s Cave, named after Fionn, which was a very popular source of inspiration for the arts in the 19th century).

Svartifoss
Iceland’s Svartifoss falls has served as the inspiration for Hallgrímskirkja church among other places.

In Iceland, a volcanic hotspot in the past as well as today, there are several examples of rock columns. The rock formations along the black sand beach of Reynisfjara are said to be two trolls who were dragging a three-masted ship to land. As they fought over the ship they lost track of time and dawn came, turning the trolls into the rock columns. The rock columns at Svartifoss were the inspiration for Hallgrímskirkja church in the center of Reykjavik. The hexagonal shapes of Svartifoss also influenced the design of the Harpa concert hall.

Added info: Columnar joint formations are not limited to Earth. The volcanism involved in the formation of Mars also created stone columns in much the same way we have them here.

Nick on the Rocks explains columnar jointing.

Marlene Dietrich & Queen

One of the most iconic photos of Queen was inspired by a photograph of Marlene Dietrich

For their second album, Queen II, Queen wanted to explore the theme of duality. This was visually explored through black and white imagery and even labeling the two sides of the album Side White and Side Black. They went to photographer Mick Rock (who had worked with David Bowie, Lou Reed, and others in the mid ‘70s glam rock scene) to photograph the album cover.

Rock had recently been shown a 1932 photograph of Marlene Dietrich from the film Shanghai Express. Dietrich was lit with a technique known as “butterfly lighting” where one of the lights is positioned in-front and above the subject, casting shadows down from the subject’s brow, cheeks, and nose (the shadow below the nose produces a butterfly looking image, hence the name). This was a technique frequently used with Dietrich to accentuate her facial features, especially in her collaborations with director Josef von Sternberg.

When Rock showed this photograph to the band, Freddy Mercury loved the idea that they could recreate it for the album cover.

“I don’t know if it was the shot itself or the idea that [Freddie] could be like Marlene Dietrich—probably a combination of the two,”

Mick Rock

This Dietrich inspired pose was used again in the music video for Queen’s greatest masterpiece Bohemian Rhapsody. The video for Bohemian Rhapsody, at over 1 billion views on YouTube, extends Marlene Dietrich’s influence even further, despite some viewers not even knowing it.