Religion

the Number of the Beast

Depending on your translation (and your agenda), the number associated with the “beast” changes.

In the Book of Revelation, final book of the Bible, John the Evangelist (or possibly someone else) describes an apocalyptic vision of the end times culminating in the second coming of Jesus. There are trumpets, fire mixed with blood being hurled to earth, the four horsemen, the Whore of Babylon drinking from a golden cup, piles of corpses, a seven-headed dragon – the stuff of nightmares and/or a metal album. However, in a book of memorable ideas one stands out: the beast.

As is typical in the Book of Revelation it isn’t exactly clear who or what the beast is. There is the beast with ten horns that rises from the sea, but there is also the beast of two horns that speaks like a dragon (known as the “false prophet”) which comes out of the earth. At some point in the future the two beasts as well as the seven-headed dragon join forces to to fight the armies of heaven, a battle that they lose, and as punishment are thrown into the lake of fire for eternity. Before this happens though John tells us that we will know the beast when it arrives because it will be identified by a number.

666 … or 616, it depends

Most early copies of the Book of Revelation say the number of the beast is 666, but because of different translations and discrepancies the number 616 has been a viable alternative since as early as the 2nd century CE. Today most Bibles have the number of the beast as 666. That said in 2005 Papyrus 115 was discovered in Egypt which is the oldest known copied portion of the Book of Revelation. This torn fragment of papyrus has the number of the beast as 616.

The number of the beast is frequently associated with the antichrist but nowhere in Revelation is “antichrist” written. The term antichrist typically means “heretic” or “false prophet”, but is also sometimes used as a more general term for an especially evil person (which the beast would certainly would qualify as). It’s through this general idea that the number of the beast enters pop culture as the spooky number of evil.

666 in pop culture — As 666 became associated with the antichrist or the devil it spread across pop culture as the spooky number of evil (and led to loads of crazy conspiracy theories).

So it’s a number … or a person

The Book of Revelation is perhaps the most unusual book of the Bible, and not just because of the end of world visions. Unlike the rest of the Bible it offers no moral lesson. It is also written in metaphors and symbolism – very little should be taken at face value. As such the number of the beast isn’t a number at all.

the Book of Revelation in art — The Book of Revelation has been a popular source material for artists over the centuries.

Albrecht Dürer's Apocalypse series — Albrecht Dürer’s 1498 series *Apocalypse* is one of the best collections of art focused on the Book of Revelation.

In ancient Greek and Hebrew every letter had a corresponding number. The letters used to write 666 as well as 616 could both (through some generous math) be used to write variations of the name Nero Caesar – the first Roman emperor to persecute the Christians and the most likely candidate at the time to be associated with evil. Like any book, the Book of Revelation was a product of its time. It would have been dangerous to write Nero’s name outright so writing it in code to an audience who would have understood how to read these numbers would have been safer for both the author and the reader.

Past, Present, Future

Typically the Book of Revelation is thought of as a vision of things yet to come, of future destruction, but it may have been written because of the recent past with words of encouragement for the near future. John lived through the Roman sacking of Jerusalem in 70 CE which decimated the Jews (as well as early Christians, who still saw themselves as Jews). In 1st century CE the return of Jesus to save the Jews from the enemy would have been a very relevant message. The Book of Revelation could be read as confirmation that an early Christian reader was on the side of good, that punishment was coming to those who deserved it, and that there would be a new Jerusalem. Instead of doom & gloom the Book of Revelation was a message of hope.

If the evil John wrote about was Nero and the Roman Empire, and as Romans eventually became Catholics, then John’s vision failed to play out as foretold. Christians had to reconcile this failure and so they looked to the future. The Book of Revelation was reinterpreted to represent things still to come. Therefore, various historical figures over the millennia have been said to be “the beast” including the pope, Muhammad, Napoleon Bonaparte, Adolf Hitler, John F. Kennedy, Ronald Reagan, etc – forever moving the beast goal post as society’s enemies change with the times.

Added info: The numbers on a roulette wheel add up to 666 (also because of his association with the roulette wheel, gambling / entertainment impresario François Blanc was said to have made a deal with the devil). Also the combination to the briefcase in Pulp Fiction is 666. Courting controversy, Iron Maiden’s third album was 1982’s The Number of the Beast, from which the title track is one of the band’s most popular songs. The song The Number of the Beast opens with a spoken word reading from the Book of Revelation. The band wanted Vincent Price to do the reading but he wouldn’t do it for less than £25,000 so they hired English actor Barry Clayton instead.

A demonstration of how 666 corresponds to letters in Greek and Hebrew, and how to turn Nero Caesar into 666.

Iron Maiden’s classic The Number of the Beast

Nkisi Nkondi

Religious power sculptures that have nails driven into them to call upon protective spirits.

The Kongo people of central Africa believe that Nzambi Mpungu is the creator of all things. To help us bridge the gap between the spirit world and our physical world a nganga (plural being “banganga”) can serve as a mediator. A nganga is a person who’s a combination of shaman, healer, mediator, and a sort of spiritual notary public.

One of the more remarkable things about a nganga is that, in order to fulfill their role, they do so with the assistance of a nkisi. A nkisi is both a spirit as well as the name of an object that can house the spirit. The physical nkisi object can be any manner of vessels from vases to horns to gourds. Into these vessels the nganga places medicinal substances (bilongo) that, with the aid of the spirits, are intended to help cure both societal as well as physical ills. The nganga will summon the nkisi spirit to go forth from the vessel into our physical world and help someone in need. One particularly aggressive kind of nkisi is the nkisi nkondi, the hunter.

While nkisi nkondi vary in design their being riddled with nails is consistent.

The Hunter

Typically, but not always, nkisi nkondi are carved to look like humans. The medicinal bilongo is frequently placed in the stomach of the figure, like an anthropomorphic monstrance, with glass or a mirror covering the hole (the glass/mirror representing a window into the spirit world). To “charge” the sculpture with a spirit it is typically placed in a graveyard (or other location known to be haunted by spirits) before being brought into the village by the nganga. The most remarkable aspect of the nkisi nkondi however are the nails.

Nkisi Nkondi are riddled with nails. Nails are driven into the figure by the nganga to affirm oaths, to serve as witness to agreements, to stop witches and evil spirits, etc. Before hammering a nail into the figure the nail is licked by all parties involved. If a promise is broken or an injury is inflicted the spirit inside is activated and sets out to hunt down the guilty party and punish them. Nkisi nkondi statues frequently have dozens of nails driven into their torsos, indicating a lifetime of service to the community.

Originally these wooden figures were struck struck together to awaken the spirit inside. When nails became available the figures changed into the form we know today. As enslaved Kongo people were brought to North America nkisi culture and the practice of making nkisi nkondi came with them (albeit hidden from the slaveholders). A human shaped figure with nails in it certainly could have influenced the Western idea of voodoo dolls but it’s more likely that voodoo dolls are a result of thousands of years of poppets in sympathetic magic found in cultures around the world.

Smart History discusses nkisi nkondi.

When is Christmas?

Jesus’s birthday wasn’t December 25th – it was more likely sometime in September.

Jesus wasn’t born on December 25th. He wasn’t even born in the year 1 AD (AD, Anno Domini, a calendar system created entirely on the idea of the year of Jesus’s birth). There are competing theories as to why December 25th was chosen.

Christmas: meh ¯_(ツ)_/¯

To start, early Christians weren’t particularly focused on the date of Jesus’s birth – they were much more interested in Jesus’s ministry and Easter resurrection. The first recorded mention of Jesus’s birthday was around 200 CE by Clement of Alexandria who offered several possible dates, none of which were December 25th.

By around 300 CE two dates became associated with Jesus’s birth: December 25th and January 6th. December 25th became Jesus’s birthday for most western churches while January 6th became Christmas in a few others (January 6th also became the Feast of the Epiphany in western churches).

Despite what the internet might tell you, it is unlikely that December 25th was selected to usurp the pagan holidays of Sol Invictus, Saturnalia, or winter solstice festivals in general. Early Christians were strongly focused on distancing themselves and their beliefs from pagan religions. By the time Christians were co-opting pagan festivities to increase adoption of the faith the December 25th date for Christmas had already been established for over a hundred years.

From John the Baptist to Jesus

One of the best theories as to why we associate December 25th with Jesus’s birth has to do with the date of his crucifixion. There was a theory that great figures would be born and die in the same month (and even on the same date). The crucifixion has been calculated to have taken place on March 25th (but even that is debatable). Early Christians seem to have replaced his birth with his divine conception for this theory, and believing Jesus was conceived on March 25 (and counting 9 months later) brings us to his birth on December 25th.

So Jesus was born in December … except it could have been September. In Luke 1.26–27 we’re told that Mary was visited by the angel Gabriel in the 6th month of her cousin Elizabeth’s pregnancy. Elizabeth was pregnant with John the Baptist and, if we calculate his birth based on his father Zechariah’s priestly duties at the temple, John was most likely born in late March. If Jesus was conceived 6 months after John, and adding 9 months, then Jesus’s birth took place sometime in September. That said, this math could also work with Zechariah’s second time serving in the temple, which would then place Jesus’s birth around March.

Either spring or fall, these dates make more sense with the idea that shepherds would be out tending their flock (which the Christmas narrative tells us) – there aren’t a lot of shepherds out tending their flock in the cold of December. Further, it’s unlikely the census that Joseph and Mary traveled to Bethlehem for would have been in the winter, when the roads were in poor condition.

the Dharmapalas

The scary wrathful Buddhist deities that are, contrary to their appearance, forces for good who are on your side.

Before Buddhism spread to Tibet, Bon was the area’s dominant shamanistic religion. As Buddhism moved into Tibet during the 7th to 10th centuries, elements of Bon were incorporated into the religion making Tibetan Buddhism different than other forms.

Part of what makes Tibetan Buddhism different from other types is the story of how Padmasambhava, the 8th century Indian Buddhist mystic who helped bring Buddhism to to Tibet, tamed the local evil spirits & demons. While the exact number of spirits he tamed varies depending on the kind of Buddhism and regional differences, there are at least eight generally agreed upon divine creatures he turned into protectors of Buddhism. These are the Dharmapalas.

the Hateful Eight

Like things out of a horror movie, or a heavy metal album cover, the dharmapalas are typically horrific, fanged, wild-eyed, monstrous creatures. With black, blue or sometimes red skin they are frequently adorned with human skulls. In Tibetan art they are seen in flaming aureoles, visualizations of the energy they emanate. However, despite their appearances, the “Eight Terrible Ones” are on your side. Like monsters with hearts of gold (more or less), the dharmapalas are compassionate defenders of Buddhism and the dharma. Their hideous looks are to drive away evil spirits (not to drive us away).

While each dharmapala is different they all tend to look fearsome and terrifying.

a detail of a Palden Lhamo illustration — A close-up detail of Palden Lhamo, looking more than a little unhappy, with her crown of skulls and a cape of human skin.

Buddhism teaches us that we can’t solve other people’s spiritual problems for them, nor is someone about to solve our problems for us. There is no omnipotent being that’s going to deus ex machina-style swoop in and “save” people. That said, it doesn’t mean we can’t give help or get help. To overcome fear & suffering each one of us must look within ourselves, we must cultivate the potential within ourselves, but external help can show us the way. The dharmapalas remove inner & external obstacles that may be preventing us from achieving spiritual realizations. They don’t walk the path for us, but they help clear the way and help us from ourselves – they have your back in your quest for spiritual enlightenment.

Added info: in general the origins of the dharmapalas vary, as do their personal backstories, but one particularly interesting story is that of Palden Lhamo. The only female dharmapala, Palden Lhamo (“Glorious Goddess”) is the wrathful manifestation of the more peaceful Saraswati / Tara. She was a female demigod married to an evil king. After her attempts to reform her husband failed, and her realization that their son would be the destroyer of Buddhism, she killed her son. What followed is one of the most metal stories ever created.

She ate her son’s flesh, drank his blood using his skull as a cup, and made a horse saddle from his skin. She rides her mule side-saddle across an ocean of blood. After she died she was reborn in the hellish region of Naraka which she fought her way out of, stealing a sword and a bag of diseases along the way. Eventually she was convinced to protect the dharma, and to protect wisdom, which she does to this day. She’s the protector of Buddhist governments including the Tibetan government in exile.

The Elegant Skull

The political cartoon that became a Mexican memento mori.

In 1910, towards the end of General Porfirio Díaz’s rule of Mexico, the country was unknowingly on the verge of civil war. The Porfiriato period enriched a minority elite ruling class (as well as foreign investors), while the majority of Mexicans remained poor rural laborers. In this time of social and economic unrest José Guadalupe Posada used satire for political change.

Calaveras & Memento Mori

José Guadalupe Posada was a 19th and 20th century pro-revolutionary Mexican illustrator & political cartoonist. He produced historical, religious, and satirical illustrations but he’s best remembered for his calaveras (“skulls”) work.

Posada’s calaveras work used skeletons to satirize Mexican society.

Posada’s calaveras are illustrations of Mexican life featuring skeletons in place of living people. They are frequently lively, smiling, skeletons engaged in normal activities. By using skeletons Posada used the idea of memento mori (as well as to some degree Danse Macabre) to remind his audience that, rich or poor, people from all walks of life will die and that there’s a comedic futility to many of the preoccupations of daily life. His most memorable calaveras were his satirizations of the wealthy class, the most famous of which is La Calavera Catrina (“the Elegant Skull”).

La Catrina is Posada’s most famous calavera.

La Catrina is a female skeleton in an elaborate flowery hat. She’s Posada’s commentary on the upper class women of the time who turned their backs on their Mexican heritage in favor of European fashions. She is also reminiscent of Santa Muerte (“Saint Death”), the pre-Catholic deity of death who has a long tradition in Mexican culture.

Over the years La Catrina has become an iconic part of Mexican culture. She is the central figure in Diego Rivera’s 1947 mural Sueño de una Tarde Dominical en la Alameda Central (“Dream of a Sunday Afternoon at Alameda Central Park”). Today she is seen in the art and costumes of Día de Muertos festivities.

Trader Joe's taco sauce — Posada’s work can be found in a variety of places today, in this case on spicy taco sauce from Trader Joe’s.

Friday the 13th

The superstition that’s the combination of two separate superstitions (and a lot of magical thinking).

Superstitions are ideas that unrelated things are connected in some supernatural way. They’re frequently practices that are thought to bring about good or bad luck. Knocking on wood, walking under ladders, black cats, four leaf clovers, etc. are all classic western superstitions. Astrology and other fortune telling methods have a similar kind of magical thinking. The superstition of Friday the 13th is a combination of two separate superstitions: Fridays + the number 13.

From the Norse gods, to the Last Supper, thirteen people at a table has made 13 an unlucky number.

The unlucky number

One of the earliest examples of 13 being an unlucky number comes from Norse mythology. Loki was the uninvited 13th god to attend a feast following the recent slaying of the god Baldr (who died because Loki had tricked the blind god Höðr into inadvertently killing him). Another unlucky dinner with 13 members was the Last Supper where Judas betrayed Jesus. This spurred a related number 13 superstition that dinners with 13 members are unlucky. The first person to rise from the table will be in store for ill fortune (akin to how Judas was the first to rise from the Last Supper and was met with ill fortune). However various workarounds include dividing the guests across two tables or just having everyone rise at the same time (which seem like pretty simple hacks).

Another reason 13 is considered unlucky is that it throws off the satisfying “completeness” of 12. There are 12 months in the year, 12 signs of the western zodiac, there were 12 gods of Olympus, the 12 labors of Hercules, the aforementioned 12 Nordic gods in attendance at the the meal following Baldr’s death, 12 tribes of Israel, the 12 apostles, etc.

Over time western culture’s fear of 13 has spread to a wide variety of outlets. Over 80% of tall buildings skip counting the 13th floor and instead call it the 14th floor. Hotels sometimes skip having 13th rooms, the 13th card in the major arcana of the tarot deck is the card for death, the 13th loaf of bread in a baker’s dozen was sometimes said to be for the Devil, cruise ships tend to skip having a 13th floor, in Florence some houses which should have an address of 13 are given 12 1/2, etc.

The superstition that Friday is unlucky is largely because of the Good Friday crucifixion of Jesus as well as other Bible stories.

It’s Friday I’m in … trouble

The fear of Friday has mostly Judeo-Christian origins. Jesus was said to have been crucified on a Friday (or perhaps it was a Wednesday). The start of the Great Flood and the confusion at the Tower of Babel were both said to have taken place on a Friday. Eve supposedly tempted Adam with the forbidden fruit, and the resulting expulsion from the Garden of Eden, took place on a Friday. Further Cain killed Abel on a Friday. Unfortunately the Bible is silent on what calendar system was in use in the Garden of Eden or how they had Fridays at all.

Eating meat on a Friday is considered unlucky because it’s reminiscent of death and the crucifixion (but eating fish is apparently exempt from this bad luck somehow). Cutting your nails on a Friday is also considered unlucky for similar severing of the body related reasons. Over time Fridays became an inauspicious day to begin or finish things. Starting a voyage, starting a new job, finishing the production of an article of clothing, moving house, getting married, giving birth, etc. on a Friday have all been considered unlucky.

That said if you die on a Good Friday there’s a superstition that you go right to Heaven.

The 1868 Friday the 13th death of Rossini is one of the first instances of Friday the 13th being unlucky but the superstition became popular during the 20th century.

Two great tastes that taste great together

Bringing these two superstitions together seemed inevitable, the super-superstition of bad luck on Friday the 13th, but it’s relatively new. Friday the 13th is first mentioned as unlucky in the 19th century with the most famous example being the Friday the 13th, November 1868 death of Italian composer Gioachino Rossini.

Friday the 13th didn’t become more widely unlucky in pop culture until the 20th century. Most people credit the 1907 Thomas Lawson novel Friday, the Thirteenth, about a stockbroker who chooses that date to manipulate (and crash) the stock market, as the popularization of the Friday the 13th superstition.

But like all superstitions, an unlucky day & date combination is inconsistent and culturally specific. While English speaking countries think of Friday the 13th as unlucky, in Spain and Greece it’s Tuesday the 13th that’s supposed to be unlucky, but in Italy it’s Friday the 17th.

It’s all in your mind

Ultimately the idea that Fridays, or the number 13, or the combination of Friday the 13th, are in any way unlucky, is nonsense. If they were real they’d be universally held beliefs (not to mention some objective proof). Instead these three superstitions are mostly just inconsistent western ideas – people in the rest of the world are going about their lives unaware of the danger they’re supposedly in (and somehow surviving).

There is no evidence that Friday the 13th brings about an increase in unfortunate incidents or accidents. A 2011 study in the The American Journal of Emergency Medicine reviewed hospital emergency admission rates and found no significant difference between Friday the 13th to other days. In fact a 2008 Dutch study demonstrated the opposite may be true, that people are more cautious on Friday the 13th and as a result there are fewer road accidents.

The Friday the 13th movie franchise capitalizes on the superstition. Interestingly in Spanish speaking countries the movies are sometimes called Martes 13 (Tuesday the 13th) in keeping with the Spanish superstition around Tuesday the 13th, instead of Friday the 13th. Finally, the most important metal band of all time Black Sabbath released their eponymous debut album on Friday the 13th, February 1970.

Black Sabbath, the most important metal band of all time, released their debut album on Friday the 13th, February 1970.

There are highs & (many) lows to the Friday the 13th movie franchise, but the disco theme song for Part 3 is something else.

When is Easter?

Easter if a floating holy day whose date has been a moving target for millennia.

The modern confusion over when to celebrate Easter goes back to the earliest Christians. To start, it’s not entirely clear what day of the week the crucifixion of Jesus took place on. The Bible can be interpreted to say that the Sunday resurrection took place three full days after the crucifixion, meaning the crucifixion took place on a Wednesday. Or the resurrection was simply “on the third day” (not three full days) and as such the crucifixion took place on a Friday. As for celebrating the resurrection some early Christians chose to celebrate on the first day of Passover (the holiday during which Jesus was crucified) while others celebrated on the Sunday of Passover when the tomb was found empty.

The First Council of Nicaea in 325 CE, convened by the Roman Emperor Constantine, established that the resurrection would be celebrated not just on a Sunday but on the Sunday following the full moon after the March (northern Spring) equinox. This kept the holiday near Passover, which is also around the Spring equinox, but not necessarily on Passover. This helped to standardize the observance of the resurrection … until the change of calendars confused things again.

East meets West

Introduced by Pope Gregory XIII in 1582, the Gregorian calendar was used by western churches to (among other things) calculate the annual observance of the resurrection. Orthodox churches however continued using the Julian calendar (which is 13 days behind the Gregorian calendar). The use of two different calendar systems is why there are usually two different dates for Easter each year – falling near one another but not usually on the same Sunday.

Another confusing detail is what to call the holiday. Given the holiday’s connection to Passover many languages and church denominations call the holiday some translated variation of the word Passover (which in Latin & Greek is “pascha” which also gives us the word “paschal” the term for things pertaining to Easter or Passover). In German and English however, the names “Ostern” and “Easter” are used which come from a pagan goddess.

Easter / Ēostre pagan goddess

The Germanic goddess Ēostre (aka Ôstara or Austra) was a Spring deity … probably. There is very little documentation of Ēostre. It is unknown how widespread the worship of her may have been or for how long. The primary source we have is The Reckoning of Time written by the English monk Saint Bede the Venerable in 725 CE. Bede writes about calculating the date of the resurrection and mentions that it took place around the Spring equinox, the same time of year that the Anglo-Saxons used to hold a feast in honor of Ēostre. From this timely reference to Ēostre the name “Easter” came to be the English name for the celebration of the resurrection of Jesus (even though she had nothing to do with it).

Added info: Constantine not only helped to standardize when to celebrate Easter but he was also the reason the Chi Rho became the symbol of the Roman empire as well as the early Catholic church.

Salvation Mountain

An outsider art environment in the California desert created as a testament to love.

Sitting in the dusty beige desert of southern California is a vibrant candy-colored art project known as Salvation Mountain. Created by Leonard Knight over a 27 year period it’s a 50ft tall 150ft wide monument to God. The mountain is constructed of bales of hay coated with adobe as well as tires, car parts, logs, and whatever else he could find. Covering it all is an estimated 100,000 gallons of paint (which was donated by supporters over the years).

Salvation Mountain is an example of outsider art – art made by an artist outside of the mainstream art world. Knight was a self-taught marginalized artist (but he never considered himself an artist). He was also a visionary artist in the sense that he had a spiritual / religious imperative. Knight was compelled to create Salvation Mountain (a name applied by others) as a testament to God’s love.

God is Love

Begun in 1984, Knight’s construction process was to work on a section, move to new areas, and return to old ones. The high-heat and dry desert conditions means that parts of the mountain are always in need of repairs. The mountain has an estimated 10-15 coats of paint on it, which adds to the structural stability. As for the subject matter there are numerous biblical passages & prayers painted on the mountain (John 3:16 and the Sinner’s Prayer), as well as painted biblical references such as the large Sea of Galilee at the base of the mountain. There are also trees and flowers found all around. While Knight was a nondenominational evangelical Christian, the mountain’s main message is agnostic of any particular faith which is that “God is Love.” This simple message is found all around the mountain.

A bale of hay that is waiting to be coated in adobe clay and painted. Given the conditions of the desert parts of Salvation Mountain are always in need of repairs.

There are multiple painted vehicles at Salvation Mountain, including the truck Knight lived in.

In 2000 Salvation Mountain was deemed a National Folk Art Site. Knight died / “went to meet his Mentor” in 2014. Today the mountain is cared for by the Salvation Mountain, Inc. nonprofit organization. The mountain continues to be a popular tourist draw.

“Dont overcomplicate love, lets just keep it simple.”
Leonard Knight

This 2013 video from Vice features Knight discussing his mountain and his message.

The Caganer

The Catalonian tradition of including a man pooping in the Christmas nativity for good luck.

In the Catalonia region of Spain, in the northeast corner of the country, there is a Christmas tradition of including the statue of a man defecating in the nativity scene. The caganer (aka “the pooper”) is typically a man wearing the traditional Catalan clothes of a red cap, white shirt, and black trousers crouched down pooping.

While Jesus, Mary, & Joseph are at the center of the nativity scene the caganer is usually off to the side. He can also be moved around each day in a little game of hide and seek. The purpose of the caganer is that he brings good luck by fertilizing not just the land but also the future of the family who owns the nativity. It also shows that everyone is truly equal, that everyone poops. Caganer statues are available in shops around Barcelona and aren’t just limited to the traditional style. You can find caganers modeled after world leaders, celebrities, movie characters, the pope, Disney princesses, and more.

Today you can find a wide variety of caganers, from world leaders to comic book characters.

Learn more about the caganer tradition.

Caga Tió

The caganer isn’t the only Catalonian Christmas pooping tradition. The Tió de Nadal (aka the “Caga Tió” aka the “poop log”) is a wooden log frequently with a smiling face painted on the one end and little legs to prop it up. The tradition is that children will leave little bits of food for the tió during Advent and on Christmas Eve or Day they beat the log with sticks while singing. This ceremony induces the log, which is partially covered by a blanket, to poop little gifts for children (which have been hidden under the blanket). Once it has served its purposes the log is burned in the fire or thrown out.

Added info: The Catalonians have several traditions associated with pooping. One expression sometimes said before eating is “Menja bé, caga fort!” or “Eat well, poop hard!”

Zombies: Sadder Than You Think

The concept of Haitian zombies was used as a threat to keep slaves working.

Before Haiti was an independent country it was the French colony of Saint-Domingue where they produced sugar, coffee, cotton, and other goods. The French brought more than a million West African people to the colony as slaves, more than any other colony in the Caribbean. Slavery in Saint-Domingue was particularly brutal – most people were poorly fed, they worked 12 hour days, pregnant slaves frequently didn’t live long enough to have babies, torture was common. Life expectancy was about 3-6 years with about half of the enslaved people of Saint-Domingue dying within the first few years of arriving.

The brutal conditions of Saint-Domingue left the enslaved people hoping that, in death, their souls would return home to West Africa.

Haitian Vodou & Zombies

The Code Noir was a 1685 decree that outlined how slavery was to be conducted in the French empire. Among other things it stated that slaves were prohibited from practicing African religions and instead were forcibly baptized into Catholicism. What resulted was Haitian Vodou, a religious blend of West African beliefs (practiced in secret) given a veneer of Catholicism.

Part of this belief system was the idea that, upon dying, you would return to lan guinée (ie. Guinea, or West Africa). Their idea of heaven was to escape the slavery of Saint-Domingue and to simply go home. Feeling the allure of going home some people decided to escape slavery on their own terms. As such suicide was very common Saint-Domingue.

Initially suicide was seen as a viable way of getting to lan guinée but at some point there was a change. At some point (oral tradition is murky on when/how) suicide was prohibited and the punishment for committing suicide was that you’d be a slave forever – you’d become a zombie. The zombies of Haitian Vodou are not the Western pop culture shambling brain-eating zombies. The Haitian zombie was someone whose soul had been captured, denied entry to lan guinée, and was turned into an undead field hand with no chance of escape. Plantation slave-drivers used this to their advantage threatening slaves that if they killed themselves they would be turned into zombies to work forever under the control of a bokor/sorcerer. Unlike today what was feared was the threat of becoming a zombie, not the actual zombies themselves.

White Zombie

Over time the zombie concept evolved and changed. The sensationalistic 1929 William Seabrook travel book The Magic Island introduced voodoo and zombies to mainstream Western culture. This inspired the 1932 film White Zombie, which was the first zombie movie. White Zombie stars Bela Lugosi as the villainous Murder Legendre (a bit on the nose) who’s a bokor enslaving people as zombies to be his henchmen and to work in his sugarcane mill. White Zombie used Haitian Vodou ideas but with a lot of artistic license. Later zombie stories dropped the Saint-Domingue threat of eternal slavery, then they dropped the bokor master commanding the zombies. Aside from being mindless undead creatures, the zombies of today have little resemblance to their sadder more terrifying origins.

Added info: following the Haitian revolution of 1791–1804, the 1883 Haitian Criminal Code outlaws the practice of turning someone into a zombie.